Blackwood Hollow Haunted Hayride
It was a chilly night on the second weekend in October. The autumn air in Blackwood Hollow didn't just chill your skin. It clung to it like damp wool. Every October the Miller farm hosted a haunted hayride. It was local legend material: tractor-led, sprawling across forty acres of overgrown timber, populated by high school kids in cheap foam masks who jumped out from behind corn shocks to make teenagers spill their cider.
That night the hayride started the way it always did. Creaky trailer, smell of diesel and straw, kids screaming on cue at the plastic skeletons wired to the fence posts. Marla had worked the Blackwood Hollow haunted hayride for three seasons and could recite the script in her sleep. Scarecrow jump-scare at the first bend. Chainsaw guy (no chain, just noise) at the pond. Fake grave markers with the corny puns.This year, they had added a new stretch of trail through the back acreage, past the old orchard nobody used anymore. Her manager said it "added atmosphere." He wasn't wrong, but he also wasn't the one riding it every night.
The first few trips through the new stretch were uneventful, if a little strange. The temperature dropped a few degrees right at the orchard's edge every single time, like walking past an open freezer door. The younger actors joked that it was because of all the dead trees, so there's no canopy to hold the day's heat. The older hands, the ones who'd worked the farm before it was a haunted attraction, didn't joke about it at all. They just made sure to be somewhere else by the time the last trailer went out.
Marla noticed the woman who worked the ticket booth, a sun-weathered farm wife named Ruth, crossing herself the first time she watched a group head out toward the orchard turn. When Marla asked about it, Ruth only said, "That land was old before this was a farm. Old before it was anything with a name." Then she went back to counting cash and wouldn't look at Marla again.
That night they had a very big group - two full families and a birthday party of teenagers which included a twelve-year-old boy with his phone and flashlight app glued to his hand like it was a security blanket. Business had been good. The lights strung along the fence glowed warm and orange, and everyone was laughing at the corny gravestone puns, and for a while it felt like any other October night.
Then the trailer passed the last string of lights, and the dark out there was a different kind of dark. It was thick, complete, and swallowing the glow from town. The trees hung low and bare, even though it was only October, like something had drained the life out of them early.
"This part is not on the map," whispered the twelve-year-old boy.
"It's fine," Marla replied, though she didn't remember ever approving this route. The new stretch had simply appeared on the schedule one morning with her manager's signature at the bottom.
Suddenly the trailer's wheel caught something (a rut or a rock, Marla thought, trying to explain it to herself), and the whole thing lurched to a stop. The tractor engine kept idling up ahead, but nobody was driving it. Dale always stayed in the seat. But he was nowhere to be seen.
Nobody spoke. The silence was eerie, like it was just waiting. For something. Even the crickets had gone quiet. Marla thought that wasn't a good sign. Something had caused them to stop chirping.
Then, from the orchard, appeared a lantern light. Old-fashioned, swinging, the kind that burns oil and throws long shadows. A figure walked between the dead trees carrying it, dressed like a farmhand from a hundred years back - suspenders, a wide hat, boots caked in mud that never seemed to touch the ground he walked on. For a second everyone on the trailer relaxed a little as they assumed it had to be another actor; another scare. "Fine, cute, get on with it," they thought.
However, they noticed something strange. The lantern didn't light his face. There was a face-shaped space where the light simply refused to go, like the dark had been poured into the shape of a man and told to walk.
He stopped at the tree line. He raised one arm and pointed... not at the trailer, not at the kids, but at the empty tractor seat.
A woman near the back said, "Where's the driver," in a voice that had already stopped believing anyone had a good answer.
That's when the radio clipped to Marla's belt crackled. Dale's voice, thin and far away, calling her name, saying, "I'm still at the barn, why are you already out at the second field, we haven't even loaded the trailer yet!"
Then the lantern went out. In the sudden absolute black, something climbed onto the back of the trailer. The whole frame shifted with a weight that had no business being that heavy for how little sound it made settling down. Marla felt cold air move past her shoulder like someone brushing by in a doorway, unhurried, and familiar with the space. Like the way you move through your own kitchen at night without needing the light.
One of the fathers stood up, fumbling for his phone, and his flashlight caught (for just a fraction of a second, less than a blink) a row of pale, upturned faces sitting among the hay bales that hadn't been there when they loaded in. Faces of children in old-fashioned clothes with eyes wide open, mouths slightly parted, not moving, not breathing, just riding along like they'd always been part of the tour. Then the light died, and when it flickered back on, he only saw the bales. No more faces of children.
He didn't say anything. He just sat back down very carefully. The way people do when they've decided not to acknowledge what they saw.
Suddenly the tractor engine cut off. Then one by one, everyone's flashlight died while the batteries were reading full.
In this new quiet, close to Marla's ear, in a voice like straw dragged over stone, someone/something said, "You're on my route now." No, it wasn't Dale.
The tractor started itself. The trailer began to move forward, deeper into the orchard, past where the fence line should have stopped it, past where the farm's property ended according to every map anyone in town had ever drawn. The trees on either side seemed to lean in as they passed, and Marla would swear afterward that she saw, carved into the bark of every trunk, the same set of initials, over and over. Dozens of names going back further than the orchard could possibly be old.
Finally, the trailer came out of the ancient black trees and back toward the warm, string-lit entrance of the farm. The ride felt like it lasted ten minutes. However, the clocks in town said it had been closer to three hours.
They tell you, if you ever take the Blackwood Hollow haunted hayride and it goes on longer than you remember, past more turns than the brochure lists, that you should not attempt to look at what's pulling the trailer. Well, Marla did.
She doesn't work there anymore. But every October, when the new hayride staff line up the actors along the safe part of the route, farmhands report finding an extra set of footprints in the soft ground past the last fence post. Small, boot-shaped, walking backward toward the orchard, like someone made to lead a group they never agreed to guide.
In addition, every year, right around the second week of October, one more name turns up carved into the bark of the orchard's oldest tree. Marla is the latest.
They still haven't found who's driving that tractor.
